On Lifetime Movies in the USA |
I
am a writer who loves cinema almost as much as I love books.
I studied film at the Slade School of Fine Art and
worked in film and TV for twenty years. This included two stints at the British
Film Institute where I co-organised a complete retrospective of the films of
Doris Day (really). I also did a year as Chief Executive of BAFTA.
In 2014 my first novel THE LIE OF YOU was published by
Head of Zeus and it was the highlight of my career. It tells the story of two
women locked in an obsessive and dangerous struggle. It is told from both
women’s point of view in alternate chapters. When I was asked which writer had
inspired me the most I always answered ‘actually it was a film director, it was
Alfred Hitchcock the master of suspense’.
It is every writer’s dream that his or her book will
have a new and different life on the screen. You can therefore imagine my
feelings when I heard my novel was being made into a film starring Tuppence
Middleton, Lydia Wilson, Rupert Graves and Luke Roberts.
I knew the film would be different from my novel. In a
novel you have 90,000 words to tell your story. A film has ninety minutes. A
novel can go right inside a character’s head and get to their innermost
thoughts. A film has to externalise motivation through actions, gestures,
framing, lighting and music.
THE LIE OF YOU E-BOOK HERE |
I was invited onto the film set and met Tuppence
Middleton and Lydia Wilson. Tuppence was playing the stalker Hannah (Heja in my
novel). Lydia played Kathy who returns to work after maternity leave and cannot
understand why her professional and personal life is falling apart. She puts it
down to her post-baby lack of focus, whereas her colleague is actively
sabotaging her. The film stays with this plot premise but the dramatic elements
are heightened and the milieu the women live and work in is more glossy.
The film was shot and edited and I saw a near final
edit. The cast were terrific and I was impressed with how genuinely scary the
film was. The aspect I liked best was the use of the many reflective surfaces in
Kathy’s house - sensor lights coming on suddenly; the use of reflections of
figures in windows; seeing Kathy from the stalker's point of view. This all
added to the theme of malignant voyeurism and created tension throughout.
The film was sold to Lifetime Movies, part of Lifetime TV, an
American pay channel with 94 million subscribers in the US. It features programming
geared towards women. Lifetime Movies re-named the film A WORKING MOM’S
NIGHTMARE and it premiered in the US in October 2019.
The film will come to the UK in due course. In the
meantime, my friends in America have been watching it and sending me bulletins.
It has been a happy and exciting time for a writer who is also a film lover.
Lydia Wilson, Jane Lythell, Tuppence Middleton on the film set |
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