LAURA: Your novel THE LIE OF YOU is
told from the point of view of two women characters. Is there a significant difference
in how you create female and male characters? To what extent do you draw
on your own experiences to create them?
JANE: Inevitably you draw on your own experiences. In The Lie of You Kathy's feelings for her baby son Billy were very much drawn from my own experience of having a
baby. I enjoyed writing about the clothes Heja and Kathy wear and the homes
they have created and I use these kinds of details to make the characters come
alive. I was also keen to show both women in their workplace. We spend so much
of our lives at work but this is not often reflected in fiction.
As for male
characters, well Markus is only ever seen through the
eyes of the two women so the reader has to assess whether or not they are
reliable narrators. In my second novel AFTER THE STORM there are four main characters, two men
and two women and I enjoyed creating Owen and Rob and hope they are three dimensional characters.
LAURA: Do your characters live
outside the page and do your characters always do what you tell them?
JANE: Oh yes they live outside the page and I need to know what my characters would eat if they go to a restaurant and what
kind of sofa they would buy.
They most certainly do not always do
what I want them to do! I have sometimes written a line of dialogue or a scene
and woken up in the night and thought that Heja, one of my characters, would never have done that or said
that. So I have had to change it.
LAURA: Why thrillers? What is it that
makes crime and thrillers so satisfying to write and to read?
JANE: I think it’s because in a
thriller you are guaranteed a strong forward momentum. I love character driven
narratives rather than plot driven narratives. I think you can have both
aspects working together where the plot arises out of how that particular
character would react to circumstances given their history and their psychology.
That is very satisfying when it works.
LAURA: Which authors influence you,
and do you have any book recommendations?
JANE: I am a huge fan of Annie Proulx and George Orwell but feel that I have been influenced by every
writer I have read and loved since childhood whether it's Mary Norton's
magnificent The Borrowers or
Charlotte Bronte's Jane Eyre. This
year I loved Louise Doughty's Apple
Tree Yard, Elmore Leonard's Swag, Lesley Thomson's Ghost Girl and Kerry Fisher's The School Gate Survival Guide.
LAURA: Do you feel there is a
conflict in today's publishing between what publishers think readers want to
read, and what readers actually want to read?
JANE: I think it's important not to
keep doing the same thing in your writing just because it worked the first
time. I worked as a producer in television for 15 years and saw this happen too
often there. Repetition stifles creativity. And have trust in your readers too as why would they want the same thing over and over?
LAURA: What advice would you give to
aspiring writers?
JANE: I would tell them that it’s all
about the characters. Create characters your readers will believe in. It doesn't
matter if they dislike some aspects of a character or adore them. But it
does matter if they don't believe in them.
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